FANTOM with an F is a new international quarterly publication about the uses and abuses of photography. It is about the art of capturing timed effects of light. For practitioners and professionals by professional practitioners, FANTOM enframes its content in sectors: EYE TO EYE where photographers converse, SAMPLE SIZE with ready made discoveries by excellent eyes, BY APPOINTMENT ONLY offered by a collector or about a collection, EYE of the BEHOLDER, where gallerists celebrate the time based talents they expose and trade, MEANS to an END surveying the surprising side effects or unintentional results of purposeful image production, i.e. scientific, commercial, surveillance, or documentary and the like. Herein the vernacular can take precedence over the artistic and visa versa depending on the value not of a discourse that comes after the image but instead allowing pictures to lead the discussions. FANTOM will orient readers and viewers in the scaled horizons drawn by photography and those who critique, exhibit, collect, occupy and emulate it. First and foremost FANTOM features the voice of photographers, in interviews, portfolios and statements alongside the often silent but rarely without a voice. |
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Price The Netherlands:
Price Italy:
Price Europe:
Price Rest of World:
country:
frequency:
€
€
€
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English
58
48
58
89
IT
4 p/y
58
48
58
89
IT
4 p/y
Communication Arts
Fantom # 2
Fantom # 4
Fantom # 1
GUP
Aperture

FANTOM with an F is a new international quarterly publication about the uses and abuses of photography. It is about the art of capturing timed effects of light. For practitioners and professionals by professional practitioners, FANTOM enframes its content in sectors: EYE TO EYE where photographers converse, SAMPLE SIZE with ready made discoveries by excellent eyes, BY APPOINTMENT ONLY offered by a collector or about a collection, EYE of the BEHOLDER, where gallerists celebrate the time based talents they expose and trade, MEANS to an END surveying the surprising side effects or unintentional results of purposeful image production, i.e. scientific, commercial, surveillance, or documentary and the like. Herein the vernacular can take precedence over the artistic and visa versa depending on the value not of a discourse that comes after the image but instead allowing pictures to lead the discussions. FANTOM will orient readers and viewers in the scaled horizons drawn by photography and those who critique, exhibit, collect, occupy and emulate it. First and foremost FANTOM features the voice of photographers, in interviews, portfolios and statements alongside the often silent but rarely without a voice.

