Flash Art 324 – Issue February/March 2019
Flash Art 324 | ON VIEW: International exhibitions selected by Elena Filipovic, Director of Kunsthalle Basel, Switzerland, by Hou Hanru, Artistic director of MAXXI, Roma, Italy, by Evelyne Jouanno, Founding director and curator of Ars Citizen, and by Simone Menegoi, Artistic director of Arte Fiera, Bologna, Italy.
FEATURES: Art and the Idea of Black Film: A Conversation, The Language of Mud: On Tamara Henderson’s “Womb Life”, Artificial Centuries Hate and the City in Gary Indiana’s Criticism by Eli Diner, and Spectacle of Concealment by Adrienne Edwards. Further: No Time or Nothing Less Than Time. Rosalind Nashashibi’s Recent Continuums of Kinship and Displacement by Quinn Latimer, The Uses of Representation: Making Some Distinctions. Originally published in Flash Art International Edition 88-89 March-April 1979. Dossier: Etel Adnan. Texts by Hans Ulrich Obrist, Noura Wedell and Etel Adnan. “Right: to Write ________” Toward a Democalligraphic U-topia. Huang Jing Yuan by Kyoo Lee: Future Perfect Visitors. ABBA at the End of the Modernist Paradigm by Kristian Vistrup Madsen.