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Modern Matter 17 – “Is anyone normal out there?”

Modern Matter is a biannual publication that records the ways in which new and developing technology affects culture, lifestyle, fashion, and the arts. This is Modern Matter 17 – “Is anyone normal out there?”
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Modern Matter 17 – “Is anyone normal out there?”

Modern Matter 17 – “Is anyone normal out there?” | What “normal” means is, of course, subjective — for a person still interested in pushing and redefining the boundaries of what arts and culture look like circa 2020, it does not necessarily mean someone who upholds the status quo. A few more questions I was thinking about, making Modern Matter 17: Is anyone trying to keep it real anymore? Is anyone trying to break the mould anymore? Is anyone trying to be bold, or to go beyond the fringes anymore? Is anyone willing to take chances? Is anyone trying to be an individual? In an age where followers mean fame, and where we all end up submerged in the same stories, the same images, and the same general aesthetic, this new issue is interested in exploring individuals and artists who have created a body of work — or a general attitude — that is designed to reflect what they stand for, as well as to inspire others to stand up for their own ideals, too. From Raymond Pettibon to Larry Clark to Torey Thornton, we are looking at those figures who are redefining, and creating, their own “normal.” This decade, let’s make “normal” anything we want it to be.

160 pages + 28 pages newspaper supplement featuring Larry Clark & Raymond Pettibon.

Modern Matter is a biannual publication that records the ways in which new and developing technology affects culture, lifestyle, fashion, and the arts. Described by the Serpentine’s Hans Ulrich Obrist as “the best magazine in London”, and by Magma’s Marc Valli as “porn for a magazine editor”, Modern Matter is unique in its approach to blending the best of British and international journalism and long-form writing with a fine-art sensibility and a high-fashion aesthetic; more than a magazine for documenting trends, it is a publication which ignores the zeitgeist in favour of something more distinctive and eclectic, hoping to redefine for the reader what it means for an idea to truly be “modern”.

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